Join us for the opening of Out of Breath, the second open call exhibition at OZONE, a storefront gallery run by Bolygó and Liget Gallery.
This showcase by Virág Benkovics, the winner of our second open call, highlights the growing impact of invasive species on local ecosystems, driven by ongoing human interventions that disrupt nature’s balance.
Accompanying the exhibition No Bread for Us, Portuguese artist Rita GT will perform a new iteration of her performance Like a Woman (2019–) on October 16 at 18:30, reflecting on the multitude of roles women must navigate throughout their lives. This performance will engage with the voices presented in Szász’s works, leaving behind installative elements (bread!) that will remain in the gallery as part of the exhibition.
Join us for a conversation between artists Adél Koleszár, Alejandra Aragón and Esteban de la Torre at Liget Gallery on Monday, June 24 at 7 PM. The three artists will discuss the larger socio-political context of the current exhibition 'Only have faith', focusing on the violence Mexico has experienced in the past two decades, including the war on drugs and legacies of colonialist extractivism in the region.
The Women/Water/Bodies workshop led by Om Bori focuses on documenting and collecting participants’ stories, feelings and various memories of water (river, lake, rain, shower, birth, etc.). During the session, participants can learn the technique of Om Bori’s water-filled objects on display and create their own works.
Please join us for a walkthrough with artist Om Bori and curator and gallery director Veronika Molnár at the exhibition Women/Water/Bodies on May 3rd at 6 PM, followed by a sound performance by Orsolya Kaincz starting at 7 PM.
Performance and sound artist Dávid Somló presents “Two Long Pieces,” an experiment aimed at deepening collective attention within the vacant space of Liget Gallery.
The first poem of Rainer Maria Rilke's Duino Elegies repeated for 24 hours, in a performance by Anna Veronika Hargitai. “The Might of Vulnerability” as an agnostic credo in the ritualised performance of the poem.